interfiction IX
arte F action! _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ interfiction - archiv
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|_ _ realisation
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19. Kasseler
Dokumentarfilm- &
Videofest
abstracts+biobibs _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Laura Kanavaugh / Ian Birse
SPLICE
An internet art piece that evolves--seen from the corner of an eye, heard in an
unknown language....
Im Rahmen von *arteFaction! in progress*
_ _ _ Laura Kavanaugh _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Laura Kavanaugh's artwork has shifted from her original focus on still images to performance work in real-time sound and image creation.
Recordings of prepared piano, voice, and low-strung violin became material for sound based video pieces- Between Words (1999), Icicles (1999), and Score (2000).
A performance of David Behrman's Wave Train opened up the possibilities of feedback loops in sound generation, and she began using samples and digital effects in performance.
September-December 2001 was spent on a tour of performances in Toronto, Berlin, Hamburg, London, Budapest, and Krakow, and in the fall of 2002 she collaborates with Ian Birse on a series of audio/video performances and installations in Montreal, Barcelona, Weimar and Budapest.
Previous projects (together with Ian Birse) at http://members.shaw.ca/kbduo/
_ _ _ druckversion _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
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Manuel Bonik _ _|
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Souheil Bachar _ _|
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Ian Birse _ _|
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Michael Brynntrup _ _|
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Marlena Corcoran _ _|
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Mindaugas Gapsevicius _ _|
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Christine de la Garenne _ _|
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Michael Härdi _ _|
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Felicia Herrschaft _ _|
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Annette Hollywood _ _|
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Francis Hunger _ _|
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Almut Jürries _ _|
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Laura Kavanaugh _ _|
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Verena Kuni _ _|
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Anders Turge Lehr _ _|
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Florian Malzacher _ _|
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odem.org _ _|
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Sebastian Oschatz _ _|
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Walid Ra'ad _ _|
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Ulf Schleth _ _|
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Martin Schmid _ _|
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Matze Schmidt _ _|
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Cornelia Sollfrank _ _|
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Matthias Weiß _ _|
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_ _ _ konzept + c.f.p. _ _ _ _ programm _ _ _ veranstaltungen _ _ _ _ abstracts _ _ _ _ ort _ _ _ kontakt
_ _ _ realisation _ _ _ dank _ _ _ _ stream _ _ _ _ links _ _ _ _ suche _ _ _ _ presse